SKU: 1169297232
air plant squid

air plant squid Alocasia macrorrhizos 'Flying Squid' – Foliage Factory

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Description

air plant squid Alocasia macrorrhizos 'Flying Squid' – Foliage FactoryAlocasia macrorrhizos 'Flying Squid' Alocasia macrorrhizos 'Flying Squid' is a compact dwarf form associated with the macrorrhizos 'Plumbea' line, grown for slender upright petioles and very small spear like leaf tips. Narrow stalks rise from the base in a loose fountain shape, giving the plant a fine, upright outline. Each petiole ends in a tiny blade, giving the base its tentacle like look. Alocasia macrorrhizos is a wet tropical giant taro with a

Alocasia macrorrhizos 'Flying Squid'

Alocasia macrorrhizos 'Flying Squid' is a compact dwarf form associated with the macrorrhizos 'Plumbea' line, grown for slender upright petioles and very small spear-like leaf tips. Narrow stalks rise from the base in a loose fountain shape, giving the plant a fine, upright outline. Each petiole ends in a tiny blade, giving the base its tentacle-like look.

Alocasia macrorrhizos is a wet-tropical giant taro with a thick base, large leaves and strong upright petioles. 'Flying Squid' has the warmth and root requirements of Alocasia macrorrhizos, while the plant remains much smaller and more sculptural. The cultivated form has reduced leaves; well-held petioles, active roots and clean new growth show that the plant is established.

Tentacle-like growth and reduced leaves

Slender stalks rise upright and lean outward slightly from the base. At the end of each petiole, the blade is reduced to a small spear, narrow tip or wispy piece of leaf tissue. The narrow petiole outline remains visible in a compact pot.

New growth can appear as a thin spear before the petiole finishes extending. An established plant may produce several upright stalks at once. With limited broad green surface, warm active roots and light fertilising allow upright petioles to continue forming.

  • Leaf form: very small spear-like tips or reduced blades at the ends of upright petioles.
  • Petioles: slender, vertical to outward-arching and visually tentacle-like.
  • Growth habit: compact dwarf base with narrow upright petioles.
  • Scale: compact presentation with a narrow, upright growth.
  • Indoor outline: sculptural and narrow, with thin upright lines visible at shelf scale.

Dwarf macrorrhizos growth

Alocasia macrorrhizos is native from Central Malesia to Queensland’s Murray Group and grows in wet tropical conditions. The full species can develop a thick trunk-like base, very large petioles and broad arrow-shaped leaves. Alocasia macrorrhizos 'Flying Squid' carries a reduced, dwarf expression in cultivation, while the root system still responds to the same essentials: warmth, filtered light, moisture and air through the substrate.

The smaller base uses water slowly in a pot. A compact plant with reduced leaves uses water slowly, especially in cooler rooms or lower light. A modest pot close to the root mass lets the mix dry evenly. The base looks delicate above the substrate and reacts poorly to frequent changes in pot moisture or temperature.

Care for the Flying Squid base

  • Light: Give clear indirect light or soft filtered morning sun. This allows upright petioles to form while protecting the reduced leaf tips from scorch.
  • Watering: Let the surface dry and the pot lighten, then water evenly and allow fresh air back into the mix.
  • Substrate: Use a structured aroid substrate with bark, coco husk, perlite or mineral granules and a moisture-retentive base. The pot should drain evenly after watering.
  • Temperature: Use an even, warm root area; cold damp mix is harder for the plant to tolerate.
  • Humidity: Humid air lets thin petioles extend smoothly and reduces dry tips.
  • Fertilising: Apply diluted balanced fertiliser lightly in the growing season. Use gentle nutrition for the small root system and limit salt build-up.
  • Pot choice: Use a snug, weighty pot with drainage. A smaller pot reduces the wet lower layer around the compact root system.
  • Mineral substrates: Alocasia macrorrhizos 'Flying Squid' can adapt to inert mineral or semi-hydro substrates after careful transition, with warmth and balanced nutrients.

Base hygiene and petiole spacing

Give Alocasia macrorrhizos 'Flying Squid' enough clearance for the petioles to rise and spread. Leave the base clear of neighbouring plants, glass and shelving so new petioles can extend freely. Thin stalks can bend or mark while they are soft, so delay heavy handling until the new growth has firmed.

The plant may pause after transport, repotting or seasonal change while roots re-establish. During that period, maintain warmth around the pot, maintain bright filtered light and let the drying pattern guide watering. A firm new petiole rising from the base is a clear recovery sign.

Stress at the base and shoots

  • Soft petioles: Check root warmth, pot weight and recent watering. Thin stalks lose firmness quickly when roots are cold or stressed.
  • Yellowing stalks: Inspect the lower mix and root condition. Several yellowing petioles together often indicate wet substrate or reduced root activity.
  • Dry spear tips: Review humidity, heat load and mineral build-up. Reduced leaf tips show dry stress quickly.
  • Leaning base: Rotate the pot gradually and give the petioles even light. A weighty pot holds the narrow base upright.
  • Slow growth: Check light, warmth and root space. This form produces new petioles more reliably when roots are active and the pot is proportionate.
  • Pest marks: Spider mites, thrips and mealybugs can hide near the petiole bases and along the tiny leaf tips. Inspect new growth closely.

Leaf turnover and propagation

Remove fully yellowed or collapsed petioles close to the base once they have faded. Leave firm green stalks in place because the small plant relies on each active petiole. Cleaning focuses on old sheaths and the base, since the plant has reduced leaf surface.

Propagation is by division, offsets or firm rhizome sections while the plant is actively growing. Small divisions need warmth, a modest container and an open substrate while roots re-establish. Mature plants can flower with a spathe and spadix, while the fine petioles and reduced blades give 'Flying Squid' its indoor shape.

Reduced foliage and curious pets

Alocasia macrorrhizos 'Flying Squid' contains irritating calcium oxalate crystals. Place the plant away from pets and young children, especially around narrow petioles and cut pieces. Wear gloves when removing thin petioles or dividing the plant.

Flying Squid and macrorrhizos

Alocasia macrorrhizos (L.) G.Don was published under Alocasia in 1839, with Arum macrorrhizon L. as the basionym. The name macrorrhizos refers to the large-rooted nature of the species. “Flying Squid” refers to the dwarf form’s thin upright petioles and tiny spear-like leaf tips, which create its squid-like outline.

Grow Alocasia macrorrhizos 'Flying Squid' warm, bright and slightly snug so new petioles rise upright from a firm base.

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SKU: 1169297232

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Cynthia D. Vosler
Los Angeles, US
★★★★★ 5
Great read!
Format: Kindle
Absolutely enjoyable read. Great characters, can't wait for their next adventure! If you like enjoyable fast reads a good mystery and some delightful laughs this series is for you!
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Reviewed in the United States on April 12, 2026
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Sophia Rose
Draper, US
★★★★★ 4
Fun Seeing Where it All Begins for the Fantastic Amateur Detecting Duo
Format: Audiobook
I started with book three in this series, progressed forward, and finally took the opportunity to go back and get the first book in the series. The whimsical, cozy mystery paired with historical Edwardian setting was light and whimsical. Actually, when I started listening, I realized that the first book introduced Lady Hardcastle and her ladies' maid, Florence Armstrong along with their new home and the other regular characters, in such a way that it didn't feel like the first book so much as the first of the stories that had been recorded. There are hints of their unusual, dangerous work abroad and no big explanation why the pair happened to be set upon 'a quiet life in the country' or why Lady Hardcastle and Florence have a relationship that is nearly family rather than an employer and servant from separate classes. The author trickles out the details and the reader/listener must catch them and piece them together as they go. Because I had experienced later books, those pieces stuck out easily to me. The meeting with Inspector Sunderland and the local villagers and neighborhood was fun. There are two murder mysteries that have interesting crossover people and facts. One seems to involve a dead man from the village cricket team whose death was meant to appear like a suicide and then later, the death of a rag-time band trumpeteer that played at the engagement party of the local squire's daughter. A theft is tossed in for good measure. I figured out one of the murders and part of the theft and the second murder, but the ultimate solution took me by surprise. Loved seeing the intrepid Flo able to get in some of her martial arts ability and spend time trailing along as they teased out the solution along side Inspector Sunderland. Elizabeth Knowelden is an absolute gem of a narrator and the voice of this series for me. She laid out the Edwardian country village world, the variety of genders and accents, and kept the pace and tone for this series just right. All in all, I thought this first entry was as fabulous as the later books and do not hesitate to put it out there as a good bet for historical cozy mystery lovers.
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Reviewed in the United States on March 22, 2019
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Leond
Massapequa, US
★★★★★ 5
Must read!!!!
Format: Paperback, Format: Paperback
Surprise plot intertwined with story of loss, grief, family and sibling relationships. The book starts off normally and twists and turns. Could not put book down. Great writing and plot development. Can’t wait to read more by this author.
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Reviewed in the United States on May 25, 2026
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Josh Mauthe
Lowell, US
★★★★★ 4
A story about what's left behind after death, both emotionally & spiritually - oh, and evil puppets
Format: Kindle
It takes a bit for Grady Hendrix's How to Sell a Haunted House to get to the "haunted" part of that title, but that's okay, really; what Hendrix is interested in here, as much as anything, is haunting in terms of the literal things left behind by death - the traumas that are left for those who survive, the guilt, the shame, the baggage, and all of the other things left behind by those who went before us. And, in the case of Louise and Mark Joyner, puppets. Lots and lots and lots of puppets. Oh, and one of them might be alive and malevolent, turning all of that metaphorical trauma into a very real presence (and, without getting into spoiler territory, all without losing that symbolic weight) - and one that allows Hendrix to bring real horror into the story of an estranged pair of siblings forced back into contact in the weight of their parents' death, and the reckoning that they have to go through as they deal with painful memories and a nightmare puppet. The end result can feel a little cluttered at times (although, by the end, it turns out to be a lot more interconnected and structured than you might realize along the way), and it doesn't help that it features some very fraught family interactions that cross from "painful" to "infuriating" very quickly. But as ever with Hendrix, there's more heart and emotion here than you might expect, and while it's all handled in his usual slightly off-kilter and unique sensibility, it still knows how to deliver the goods both on a horror front and a character one. I'd put it among the weakest of Hendrix's efforts overall, but there's a caveat here, and it's that I don't think anything he's read has ever been anything less than entertaining and solid overall, so even a weaker entry? Still a good time and a good read.
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Reviewed in the United States on October 8, 2023
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Nick Roberts
Dallas, US
★★★★★ 3
Exactly as advertised
Format: Hardcover
REVIEW: How to Sell a Haunted House by Grady Hendrix If you've enjoyed Grady Hendrix's previous books, you're probably going to like this one. It is Grady in typical form - witty, entertaining, slightly spooky, grounded characters who contrast over-the-top characters, and drenched in South Carolina charm. Now, if you're not the biggest Grady fan, I doubt this will be the book that converts you for the same reasons mentioned above. I tend to fall in the middle. I enjoy his storytelling abilities and scenarios enough to keep reading his books, but there's nothing horrific about them, nor any lingering effects. To me, they are entry-level horror, and that's perfectly fine. There's a huge market for that as his success reflects. This book doesn't try to be anything other than what it is, and I respect that. The story begins with Louise getting the news that her parents were killed in a car crash. She travels from California back to her hometown of Charleston, South Carolina where she reluctantly reunites with her cousins, aunt, and her brother, Mark. Louise and Mark resent one another, so they butt heads at every decision that needs to be made in light of the tragedy. Louise sees herself as the reasonable one and looks down on her brother as an embarrassment and a failure. While trying to come to terms with selling the house, the siblings soon realize that there's another presence in there with them, and it has something to do with their mom's homemade puppet collection. Overall, this book was enjoyable. There was nothing groundbreaking about it, and I got exactly what I paid for. Check it out if you're into spooky stories about complicated families and southern settings.
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Reviewed in the United States on January 27, 2023

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